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[Buah/Fruit] Interview of ‘Buah’ director and lead actress

[Buah/Fruit] Clermont-Ferrand Returns With Tilda Swinton, Focus on Southeast Asia, Reinforces ‘Vital’ Role of Short Filmmaking In Turbulent Times

[Buah/Fruit] Sundance 2026 featured an array of powerful short films

[Buah/Fruit] 13 Standout Short Films From Sundance 2026

[Buah/Fruit] Sundance short film ‘Fruit (Buah)’ is a drama with a supernatural twist

[Buah/Fruit] Your Guide to the Projects by Asian Filmmakers at the 2026 Sundance Film Festival

[Buah/Fruit] 48th Clermont-Ferrand International Film Festival – International Competition Editorial: The Human Comedy

[Buah/Fruit] 2026 Sundance Film Festival Reveals 54 Titles Selected for Short Film Program Presented by Ketel One Vodka

[Buah/Fruit] 10 Must-see short films from the 30th Busan International Film Festival 2025

[Buah/Fruit] Busan International Film Festival 2025 will have Shu Qi’s first directed film and several made-with-Singapore movies

[Buah/Fruit] Objectifs Short Film Incubator 2023 Participants

[Elsa] Performing Femininity: Aprons, Capes, and School Uniforms

[Unmother] Malaysia, Singapore, Philippines, Taiwan Film Bodies Team for Incubator Lab in Busan

[Unmother] Full Circle Lab Philippines announces the lineup of its 4th edition

[My previous life as Producer] NFDC Film Bazaar brings 14 films in this year’s Open Pitch

[My previous life as Producer] It’s Illegal, but Real: Telling Stories of Gay Life in Singapore

[My previous life as Producer] 8 S’pore directors receive SGD 250,000